Roger Waters' musical work, The Wall, has been the subject of controversy and misunderstandings over the years. Despite its resounding success, with millions of copies sold worldwide and several successful tours, the work has been misinterpreted by some as an apology for fascism, which it actually critiques and parodies. In 2023, Waters was accused of antisemitism and of glorifying Nazi atrocities for a performance in which he dressed as a fascist leader. This accusation has led to debates about the trivialization of fascisms and social complicity in past and present crimes.
The story intertwines with reflections on the current reality, where the far-right, with new appearances, presents itself as defenders of freedom but is questioned for its practices and discourse. Throughout the article, the development of right-wing ideologies and strategies over time is analyzed, from classical fascisms to new political expressions today.
Historical and contemporary episodes are mentioned that highlight the complexity of these issues, such as the genocides in Gaza, the persecution of minorities, and the emergence of political leaders with controversial stances. Through reflections on history and the present, there is an invitation to question the simplification of political discourses and to delve into the complexities of ideologies and their consequences.
